A young American couple traveling through Spain visits the Picasso Museum in Malaga, and they are disappointed by what they find. Later, once in Paris, they decide to give Picasso another chance, and the visit the local museum. There they find a number of his most impressive works, and find their faith in the painter restored.

The different houses of Picasso

At first I hadn’t been interested in visiting the Picasso Museum in Paris because the one in Malaga was so disappointing. Malaga is the town of his birth, and the museum there is in fact directly down the street from the house in which he was born, so perhaps due to this Colleen and I had set our expectations too high.

But the city of Malaga in itself had been rather disappointing. We’d been told it was a place where we could enjoy the water, and when we arrived it turned out that the beach was utterly and completely lorded over by resorts and drained of any sort of peace by a relentless onslaught of tourists. So perhaps we were hoping that the local Picasso shrine would somehow make things right between us and the city on a whole. It turned out to be almost solely filled with a few collections of rough sketches and a number of his final works, many of which were nothing but single brushstrokes or splats of paint that seemed to scream out, “Pay me — I am Picasso.”

And maybe it was great art and was thick with meaning. I cannot be entirely sure as I am not a painter. But I had seen great art. At that time I was just a young student who had left the United States to live in France, and I was enjoying the proximity to great works that I had for so long sought. The Picasso I experienced in Malaga, however, felt like a cop out.

After that we walked down to the house of his birth, which turned out to be closed. Right then we decided that it was time to get out of Malaga. Instead of waiting three days to ride the bus to Seville as planned, we rented a car and made our way long the southern coast where we had a great many adventures and slept in random bunkers from the Spanish Revolution and a shipwrecked fishing boat that had washed up on the shore. Once we were even chased by a pair of Spanish army trucks for reasons we did not understand. I was basically living out all of the fantasies dreamt up by a ten-year-old boy.

After some amount of time — I have no idea how much — we ended up in Seville, from which we departed for Paris. It was good to be back in what had come to feel like home, and I spent the next several days showing Colleen around. Up until meeting me in Spain, she had been studying in Cairo, and it was a thrill to be joined by someone with a fresh pair of eyes with whom to enjoy the city. At some point we were walking along Rue de Rivoli and I was describing everything we passed when she suggested that we visit something that I hadn’t yet.

“What about the Picasso Museum?” she asked.

“Do you remember Malaga?”

“But this is an entirely different collection. And it’s in Paris. I have a feeling they know what they’re doing when it comes to museums,” she said, reasonably. “And you do like his Guernica…”

She was right, so we made our way east along the river. I knew that it was somewhere directly north of the Ile Saint-Louis. We ended up at the Bastille, where we stopped by a café I knew for a drink and to ask for directions. From there, we found it with ease.

The museum is not housed in an overly-large building. It’s actually rather charming in its quaintness, regal but not over-decorated. Inside the halls wound upward, and as I entered each new room I felt my confidence in Picasso restored. This was a collection of his finest work spanning each of his periods. The museum houses such a range of his talent—some are complex while others are very basic, some realistic in juxtaposition to the surreal.

I recall being struck by three paintings in particular. Both Man with Guitar and Man with Mandolin held my attention for quite some time. Each seemed to collapse simultaneously in and out on itself. They brought to mind looking across a vast landscape of valleys and mountains, so expansive was their depth of perception. Near the end of my visit, I came up on the Artist and His Model, in which we see a female form and Picasso working ethereally beside her. It was a perfect summation of the man’s work. He puts so much of himself into his art that he becomes indistinguishable from it. Picasso and his subject and the finished piece are inseparable from each other — here is a man who lives Art in its highest sense.

If only we could all learn to live so amidst our passions.

Have you visited the Picasso Museum, either in Paris or Malaga? Or have you experienced living out what you love the most? Share it below. We can all use some inspiration.

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